By Torie Doll, University Communications and Marketing
The 鈥淰isibility & Remembrance: Standing with the Trans* Community鈥� international art exhibit seeks to combat the exclusion and erasure of transgender people from society, while remembering the community鈥檚 courage and resilience shown in the face of systems of oppression. Open to the public, the exhibit can be viewed or by in the 新澳门六合彩内幕信息College of Arts and Sciences Multidisciplinary Complex (CMC) on the Tampa campus.
Curated by the 新澳门六合彩内幕信息Department of Women鈥檚 and Gender Studies and its associated alumni group, 31 submissions from around the world were selected, showcasing diverse perspectives and experiences through two- and three-dimensional art, film and poetry. Trans, nonbinary and ally artists representing Canada, France, Germany, India, Nigeria, Poland, Switzerland, the United States and the United Kingdom, reflect on the experiences, representations, identities and politics of being trans.
鈥淲e believe in the power of art to affect social discourse,鈥� said project coordinator Sarah J眉nke. 鈥淭he last few years have seen an escalation in misinformation and attacks against the rights of people who are transgender, and we hope that the exhibit can help to change this. Through the voices in this exhibit, we hope to make the experiences of people who are trans more visible and to foster solidarity between trans people and allies.鈥�
, fourth-year studio art and Chinese language double-major, is one of five 新澳门六合彩内幕信息students whose work is featured in the exhibit. Pearson came out as trans in their early teens, but said they were surrounded by the high pressure for gender conformity and due to fear, disconnected from their trans identity until two years ago. Pearson is now actively pursuing their identity and beginning transition, but is still faced with challenges like their many other gender non-conforming peers.
鈥淲e have very little precedent for living the trans identity with so much of the public eye upon us,鈥� Pearson said. 鈥淭he future is almost entirely uncharted, and very few of us know how to continue. If by some miracle we manage to escape the gender binary, there is still the constant need from others to categorize and understand, to organize the trans existence and box it into something palatable, coherent, likable.鈥�
SUMMER WAR (I) was censored for this story. [Photo Courtesy: Lee Pearson]
Pearson鈥檚 exhibited piece, SUMMER WAR (I), is part of a series of prints inspired by their re-introduction into the world as outwardly androgynous. The artwork explores, 鈥渆asily-recognizable archetypes that have been whittled down to more palatable, consumable language that we speak in today 鈥� for example, the transformation of the Judeo-Christian angel from its conception, compared to how we understand images of it now,鈥� Pearson said. 鈥淭he perception we assign to others in relation to ourselves can be extremely valuable, and it can also easily be weaponized. Over time, that perception becomes an object, able to be manipulated; one day, the perception may replace you.鈥�
SUMMER WAR (I) was made using the intaglio printmaking technique called drypoint etching, in which the artist uses a specific type of needle to carve into a surface, such as a copper plate, rubs ink into the carvings and then prints onto paper with a press.
The exhibit runs through April 1 to honor Transgender Day of Remembrance on Nov. 20 and Transgender Day of Visibility on March 31. Visitation hours are by appointment only until the spring. Throughout the duration of the art exhibit, supporting will be added to reinforce and expand on the same themes and topics.
- Jan. 18, 6 p.m. EST
- Co-sponsored and funded by the 新澳门六合彩内幕信息School of Art and Art History, the 新澳门六合彩内幕信息Office of Multicultural Affairs, the 新澳门六合彩内幕信息Department of Sociology and the Sahodari Foundation.
- Decolonizing Sport: Conversation with Dr. Katrina Karkazis and Roc Rochon
- Feb. 8, 6 p.m. EST
- Co-sponsored and funded by Florida Humanities.
- Lecture & Conversation with Dr. Marquis Bey
- Feb. 24, 6 p.m. EST
- Co-sponsored and funded by Florida Humanities.